Nick Buras has kindly informed me that Weta have updated their website and have included the Neon Genesis Evangelion live action movie as a ‘current project’:
Weta Workshop Eva Project Page
As for the status of the project, which everyone has been concerned due to the lack of any formidable news: UNDER DEVELOPMENT -
QUOTE: “Weta has been designing a live-action adaptation of Neon Genesis: Evangelion. The film is on hold but it is Weta’s hope that it will enjoy getting to work on the film production of this amazing story in the near future.”
The site also contains a flash representation of all their concept work so far, no pictures that cannot be found here although it does confirm that they created the rogue image found only in a japanese newtype magazine, (Image). In the image descriptions the characters are given their correct titles.
From ANN’s Kamikazecon report:
“As expected, a large portion of questions revolved around the live-action version of Neon Genesis Evangelion. Greenfield confirmed that the project was very much alive, and they were currently in the process of finding a director. While naming no names, Greenfield did confirm that interest has been shown by several major directors, including one who has won an Oscar. He also mentioned that the probable location of the shoot would be New Zealand, the same country where WETA, the studio slated to create special effects for Evangelion, is located. When asked how soon the movie would be finished, Greenfield indicated it would be at least a year, most likely 3 or 4.”
Hi there, estranged moderator Eva Monkey reporting.
This past weekend (Feb. 18–20) I took a trip down to Crystal City to host an Evangelion panel for the Katsucon animé convention. Among other topics we discussed the Live Action Evangelion film.
Please note that the following is an unofficial source and should for now be treated as nothing more than rumor.
One of the attendees claimed to have an associate currently interning in WETA’s prop shop (for lack of a better term). He claimed that WETA artists have produced more than just the conceptual artwork we’ve seen thus far, including some preliminary 3D models and so forth.
Also of interest is that the word around the studio is that Peter Jackson is indeed interested in directing this project, however due to contractual agreements with Universal (?), he is currently tied into working on King Kong, and is unable to head up Live Action Evangelion, and may well be in line or have vouched for Live Action Eva once King Kong’s production closes.
Once again, this is pure unsubstaniated rumor, and should be taken with a grain of salt. The possibility for Peter Jackson’s direction may exist, according to what I was told. However, this is not a credible source and needs further verification.
Due to the lack of news of late, I felt it neccessary, if for no other reason than to give you something to think about.
ADV have launched a new section of their website dedicated to their theatrical releases.
ADV Theatrical Division
Quote: ADV Films, the #1 producer-distributor of animé in the U.S., today announced that they are expanding the ADV Films website to include a page dedicated to the company’s theatrical releases (www.advfilms.com/theatrical).
The new website, with an emphasis on Japanese and Korean films, offers a one-stop information source for both film buffs and theatre professionals, providing background material on each film as well as listings of theatres and play dates for current showings. Theatre managers and publicists are able to download press materials, including biographies, cast and crew lists, interviews and art work for each film. Film buyers have the ability to check out ADV Theatrical’s release schedule as well as a chance to see what films are available in 35 mm from ADV’s library, such as the classic Gamera series.
This expansion of the web site comes at time when the cinema world is focusing on the Korean film making industry. Richard Pena, Director of the New York Film Festival and curator of the Korean Film retrospective at Lincoln Center recently stated “With recent major festival awards at Cannes and Venice, the cinema of South Korea has become one of the most respected, and eagerly anticipated, national cinemas anywhere today.”
“This new page is a welcome addition to our web site” said John Ledford, president, CEO and co-founder of ADV Films. “Our animé web site has always been very popular with our fans and I know that our theatrical page will be also.”
Official Announcement — source
Alright, so ADV has appointed a man named Steven Buck as the Director of the up-and-coming theatrical division of ADV (which would, of course, be compromised of only the Evangelion project as far as I know, there may be other projects we don’t know about!). Just as a note: this is NOT stating that he is the director of Evangelion… they still haven’t chosen, or have not released the information…
But, since Buck will be head of the theatrics, I tried to do a bit of back-ground research on him only to fall short (though I really only checked on imdb). Do any of you know anything about him rather than the fact that he founded art-house movie theatres?
Dark Horizons has posted some rumors concerning Tiffany’s thoughts on casting. Note, these are only rumors and casting is still a long way off. Hopefully we’ll find out who the director is before the year is out. Anyway, moving on.
Tiffany stated that;
- If she were to make a cameo in the movie, she would like to play Asuka’s mother
- She toyed with the ideas of Hugo Weaving playing Gendo and Jennifer Garner playing Misato (a good pick IMO)
Still only miniscule threads of news at the moment folks. A lull in the (live) action.
Thanks to Tero Niemi
At the King Records/Production IG panel at Otakon 2004, Okazaki, when asked about the live action Eva movie, stated that King Records was not involved in it and that they “weren’t very happy about it.”
King Records owns the Star Child label that handles distribution and licensing for alot of animé titles. They handled Japanese distribution for Evangelion and the movies. They also released all of the Japanese Eva soundtracks.
Source: http://www.animenewsnetwork.com/convention.php?id=189
Just got this email, an interesting read, nothing new, A-list directors:
Hello,
I don’t think anybody is officially covering O-Chibicon this weekend (being a newbie con and small), but
it does so happen that ADV is headquartered in Houston, TX.
ADV, apart from other events they did there, also had a 2 hour panel which included Matt Greenfield, Janice Williams,
Tiffany Grant and other ADV staff.
Most of the stuff they covered had already been posted at other cons, but there was, I believe, some new information.
Below are some of the questions and answers of interest I covered with Mr. Greenfield:
—–
Q: “Matt, assuming I have my information correct, you are a producer [live action Evangelion]. Will you
be making a cameo in the film? Traditionally this is the case [for producers]
A:
Matt commented on what seemed to be an inside joke on his possible appearance in the film, but he did directly comment on:
“We are definitely trying to have all of the VAs involved in the film. Both Japanese and American voice actors.
We hope each one can have a cameo of some sort. Of course, this will all depend when we actually get
closer to the project [production]. Scheduling and so forth.”
——-
Q:
When answering questions on the film, he reiterated, as he did in other cons and venues, that actors are not currently
being seriously considered as the project is in its earliest pre-production. He cited the kids from Harry Potter as a good example of what can happen in a few years.
He did comment directly on:
A:
“Before any of that we need a Director. We are currently talking to 7 to 8 directors. These guys are all ‘A lists’”
He went on to say that, of course, casting choices would be made by the Director.
——
I pointedly asked:
Q: “Matt, what kind of financial risk will the live action Evangelion be to ADV films?”
A:
Matt went on to say, more or less, that it is not a financial risks because IT IS Evangelion.
He believes that the high production values of Weta, the passion for the project and its worldwide
following will guarantee its success.
——
(Personally, I asked the above question because I fear that if the film does flop it could bankrupt ADV, but anyhow.)
I hope some of the above stuff is useful.
Fernando Gonzalez Jr.
mk2000
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