There’s been buzz about the Prince of Persia movie. Who’s producing? Who’s directing?
Jerry Bruckheimer is producing for Walt Disney Pictures. Mike Newell [ Donnie Brasco, Harry Potter and the Goblet of Fire] is the director.
What’s it like working with Jerry Bruckheimer?
I’ve only seen the tip of the iceberg, but he is extremely focused, detail-oriented and completely unflappable. Things that most people might consider a crisis — hurricanes, strikes, whatever — he handles very calmly and somehow it all works out. I can see why the studios feel confident entrusting him with hundreds of millions of dollars. If he’s making the movie, everything’s gonna be OK.
Is Ubisoft involved or does your license agreement allow you to do this separately?
They’re separate deals. Ubisoft has the videogame rights to Prince of Persia and Disney has the film rights.
How long has the script been in development?
I wrote the first draft and several revisions over a period of about a year and a half. Two more years of development followed, in which additional revisions were done by (in this order): Jeff Nachmanoff, Boaz Yakin, Doug Miro and Carlo Bernard.
That sounds like a crazy number of writers, but the original screenplay structure, plot and characters have survived the whole process pretty much intact.
It’s still very much the same movie John August and I pitched to Disney and Bruckheimer back in 2004 — it’s been streamlined in certain ways, souped up in others. It’s a good, solid story and I think it’ll be very satisfying on screen.
What are the differences between writing for a video game and writing for a film? How closely does the movie storyline correspond to the games?
If you summarize the movie in one sentence, it sounds identical to the first Sands of Time videogame, but scene by scene it’s actually completely different. It has to be, because games and film are such different mediums.
On the surface they’re deceptively similar — you can watch five minutes of an action-adventure videogame and think “this could be a movie,” or vice-versa — but structurally the requirements are totally different.
Here’s one example: The game kicks off with a cataclysm that basically destroys the world and turns all living creatures except for the three main characters into raging, murderous sand monsters. That was a great setup for the gameplay we had, which was “acrobatic Persian survival horror.”
But if you put that setup in a film, it would be a “B” movie, and that’s not the kind of movie Prince of Persia should be. Our model is classic epic, swashbuckling action-adventure movies like Raiders of the Lost Ark, Zorro, and Thief of Baghdad, with humor and romance and full of memorable characters. You can’t get there if you turn everybody into sand monsters on page fifteen.
I hope Sands of Time game fans will see the movie with an open mind and judge it based on the experience it creates for them, not by the standard of how closely it matches the 2003 video game. The game still exists and you can still have the experience of playing it. We’re not destroying it by making the movie. We’re creating something new that has to stand on its own, just as the game did.
Will there be a game title that goes along with the movie? Are there any new games in the works separate from the movie?
Sorry, but I can’t answer that question!
How close is the movie to starting filming and how does the strike affect it?
The movie is in pre-production. At this moment there’s no way to know how long the writers’ strike will last, or if the directors’ and actors’ guilds will strike as well. It’s a very insecure time for the whole industry.
A lot of big movies that were set to go, now aren’t. I was really hoping that Mike Newell would be the one to direct this movie and I was ecstatic when he agreed, but it was bittersweet because I only had about 24 hours to rejoice before the writers’ strike began.
I support my guild and the writers’ cause, so until the strike is resolved I can’t meet with Newell and the Bruckheimer execs or contribute further to the development of the movie. It’s frustrating because I’ve been dreaming of a Prince of Persia movie, basically, for 20 years, and now at this key moment when the project has finally found the right director and he’s brimming with enthusiasm and excitement, I can’t even meet with him.
Christmas has been and gone, and, after getting our little trailer, gift wrapped in a preceding viral marketing campaign, we have all sat back and relaxed (whilst getting fat on chocolate). The Dark Knight news has since been sparse, not a lick of viral madness since Santa came around. Though you can guarantee that it will all kick off again as soon as we get a whiff of that next marketing scheme.
